general

I enjoy Diane Arbus' photos, but this book is too much for me. Her photos are only a small part of the book -- the majority of the book is a catalogue of her life. The contact sheets are quite interesting, as they reveal a lot about how she approached a subject. The rest will likely appeal only to hardcore Arbus fans.

DIANE ARBUS: REVELATIONS is one of the most beautiful monographs of an artist I have ever seen or read. This over-sized, beautifully bound, highest quality paper, extraordinarily fine reproductions of photogravure, and sensitively designed and written catalogue for the touring museum exhibition of Diane Arbus Photographs is simply magnificent and well worth the rather steep price. But a state-of-the-art monograph would be of little consequence were it not about one of the most controversial and phenomenally gifted photographers of the last century. Arbus had an affinity for capturing people she encountered because they produced a source of wonder in her. Her eyes were attracted to the edges of normal appearance and anatomy where she captured luminously tender photographs of developmentally challenged fellow human beings. There are countless images of children and adults who have survived a life of 'non-normalcy' and she framed them in her camera's eye with no sense of the voyeur, but instead with a great sense of humanism. Here are portraits of giants with their parents, patients from mental institutions, carnival folk, transvestites, anatomic wonders, as well as simple twins, people she found fascinating, populated places that struck her imagination. The photogrpahs of Diane Arbus have become icons and the contributors to this volume help to propel her already praiseworthy status to that of a genius: Sandra Phillips' essay 'The Question of Belief', photographer Neil Selkirk's intimate 'In the Darkroom' (Selkirk is the only person allowed to develop prints of Arbus' output), and the beautifully conceptualized and constructed Chronology by Doon Arbus and Elisabeth Sussman bringing to us rarely seen portions of Arbus' output and thoughts - all of these are rendered in the best of taste and finest of scholarship. Finally, here is a volume that fleshes out the magnificence of the art of Diane Arbus. This bibliophile's dream of a book deserves awards and most important, deserves your attention. Highly recommended as a true collector's item.

I own two Arbus monographs and have lived with them for over 20 years. Many of those works are reproduced in this volume. There is a lot of talk about "the human condition" and I suppose all artists in one way or another wrestle with the notion. Arbus has always meant to me someone who seemed to reveal who we are beneath the fashion, the roles, the sex, the culture. I used one of her images as a means to illuminate a poster for a Sam Shepard play called Icarus' Mother - it was of a very young New York boy holding a toy hand grenade in a threatening way during play in Central Park - once seen never forgotten.
Nor will I forget her self portrait, naked pregnant, in this latest volume. So much. So much. This is the volume Arbus lovers have been waiting for. Printed in Germany, beautifully bound, positively packed with images, diary entries, extracts from letters, comment. A bargain.